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Sunday, June 5, 2011

Download Ebook Tissue Type Plasminogen Activity, Volume I (T-Pa : Physiological and Clinical Aspects)

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Product details

Series: T-Pa : Physiological and Clinical Aspects

Hardcover: 248 pages

Publisher: CRC Press; 1 edition (March 31, 1988)

Language: English

ISBN-10: 0849346088

ISBN-13: 978-0849346088

Shipping Weight: 1.9 pounds

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Friday, May 20, 2011

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Review

This new, third edition of Museums in Motion tackles the challenge of updating a classic text on the history and relevance of museums with considerable elegance and aplomb. Important topics such as constantly changing information technologies, new approaches to inclusivity and accessibility, and the shifting nature of the museum profession cannot be tacked on to already existing chapters, but must be woven carefully into the substance of the text as an integrated whole. Juilee Decker faces this daunting task head-on, and the resulting book is a masterwork of research scholarship and professional practice that will prove invaluable to everyone wanting to improve their understanding of the functions, importance, and value of museums -- past, present, and future. (Paul F. Marty, Professor, School of Information, Florida State University)I am thrilled to see a thorough update of this classic book on museums and museum functions. Museums in Motion can once again serve as the essential introductory text for any museum studies course. (Laura B. Roberts, principal, Roberts Consulting and faculty, Harvard University Program in Museum Studies)I am delighted to offer my endorsement for the third edition of Museums in Motion, a text I have used in my Museum Studies courses for over twenty years. The new updates and inclusions by Juilee Decker make this version very relevant for today’s students and will give them an important framework as all of us in the museum field face a challenging future. It is most accessible to both the undergraduate and graduate student as well as being informative for the working museum professional. I give this book my highest praise—it combines the history and function of museums elegantly and the special highlights from the museum professionals give it an additional connection to the real world. (Pamela J. White, JD, PHD, Director, Museum Studies Graduate Program, Western Illinois University)Museums in Motion is a core text for museum and curatorial studies courses and a valuable resource for anyone in the museum profession. The inclusion of provocative and inspiring reports on contemporary practice provides special value. (Peter Morrin, director emeritus, Speed Art Museum, Louisville, Kentucky and former director, University of Louisville Center for Arts and Culture Partnerships)

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About the Author

Edward Porter Alexander’s illustrious museum career extended from 1934-1978. In recognition of his contributions to the field, The American Alliance of Museums added him to their Centennial Honor Roll in 2006.Mary Alexander has been a museum educator and administrator for nearly fifty years. She was associate editor for Museum Education Anthology (1984) and co-authored Museums: Places of Learning (1998) with George Hein.Juilee Decker is an associate professor of Museum Studies at Rochester Institute of Technology (RIT) where she teaches courses focusing on museums and technology. She has served as editor for Innovative Approaches for Museums, a four-volume series focusing on technology and digital initiatives, engagement and access, collections care and stewardship, and fundraising and strategic planning (Rowman & Littlefield, 2015). Since 2008, she has served as editor of Collections: A Journal for Museum and Archives Professionals, a peer-reviewed journal published by Rowman & Littlefield.

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Product details

Series: American Association for State and Local History

Paperback: 390 pages

Publisher: Rl; Third edition (February 23, 2017)

Language: English

ISBN-10: 1442278803

ISBN-13: 978-1442278806

Product Dimensions:

7 x 0.9 x 10 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#666,499 in Books (See Top 100 in Books)

Great book for class project on Museums🥛

Excellent book and just great for my nephew's college course

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Tuesday, May 10, 2011

Download Ebook Bloodlands: Europe Between Hitler and Stalin, by Timothy Snyder

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Bloodlands: Europe Between Hitler and Stalin, by Timothy Snyder

Review

"A startling new interpretation of the period ... a stunning book."―David Denby, New Yorker"A superb and harrowing history."―Financial Times"Genuinely shattering.... I have never seen a book like it."―Istvan Deak, New Republic"A brave and original history of mass killing in the twentieth century."―Anne Applebaum, New York Review of Books"A magisterial work.... Snyder's account in engaging, encyclopedic."―Foreign Affairs"Gripping and comprehensive.... Mr. Snyder's book is revisionist history of the best kind: in spare, closely argued prose, with meticulous use of statistics, he makes the reader rethink some of the best-known episodes in Europe's modern history."―Economist"Snyder...compels us to look squarely at the full range of destruction committed first by Stalin's regime and then by Hitler's Reich.... A comprehensive and eloquent account."―New York Times Book Revew"A superb work of scholarship, full of revealing detail, cleverly compiled...and in places beautifully written.... Snyder does justice to the horror of his subject through the power of storytelling."―The Sunday Times (London)

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About the Author

Timothy Snyder is the Housum Professor of History at Yale University and a permanent fellow at the Institute for Human Sciences in Vienna. He received his doctorate from the University of Oxford in 1997, where he was a British Marshall Scholar. Before joining the faculty at Yale in 2001, he held fellowships in Paris, Vienna, and Warsaw, and an Academy Scholarship at Harvard. He has spent some ten years in Europe, and speaks five and reads ten European languages. Among his publications are several award-winning books, all of which have been translated: Nationalism, Marxism, and Modern Central Europe: A Biography of Kazimierz Kelles-Krauz (1998, revised edition 2016); The Reconstruction of Nations: Poland, Ukraine, Lithuania, Belarus, 1569-1999 (2003); Sketches from a Secret War: A Polish Artist's Mission to Liberate Soviet Ukraine (2005); The Red Prince: The Secret Lives of a Habsburg Archduke (2008); On Tyranny (2017); and The Road to Unfreedom (2018). He has written for publications including the New York Review of Books, the New York Times, Foreign Affairs, the Times Literary Supplement, Nation, The New Republic, the International Herald Tribune, and the Wall Street Journal.

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Product details

Paperback: 560 pages

Publisher: Basic Books; 1st Edition edition (October 2, 2012)

Language: English

ISBN-10: 0465031471

ISBN-13: 978-0465031474

Product Dimensions:

6 x 1.8 x 9.2 inches

Shipping Weight: 12.8 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

611 customer reviews

Amazon Best Sellers Rank:

#27,176 in Books (See Top 100 in Books)

Having read hundreds of books on World War II, it's pretty rare to come across a book which covers a topic I'm not very familiar with. However, the subject of the Holocaust is one which I've avoided mostly because it's just too damn depressing, and while this book covers a broader topic it's probably one I would have skipped in the past. I'm glad I didn't skip this one.The author defines the Bloodlands as the lands between pre-war Nazi Germany and the western edge of the Russian Republic, predominantly Poland, Belarus, the Baltic States and Ukraine. I was unaware this book would not focus on the military action(s) and instead focus on the ordinary citizens in these areas as I had not read any reviews prior to starting this book. I have to say, this is one of the best books I've read in quite some time, and the fact it covers a subject I've avoided has opened my mind to wanting to learn more.The author recounts how first Stalin and then Hitler undertook various programs/campaigns against the Polish, Belorussian, Ukrainian and Baltic populaces, as well as against those of the Jewish faith. In a combined campaign of extermination, over 14 million people were killed essentially because of where they lived, what religion they practiced, or if for some reason they were viewed as a threat. Along the way, author Snyder does a really good job of explaining the rationale behind the murderous schemes of Stalin and Hitler and how they fit into the grand plans/ideals of the Nazis and the Soviet Union. Along the way, the reader will encounter multiple personal vignettes about those who there, many of whom did not survive. The story is truly horrifying and the sheer numbers staggering, yet Snyder has woven together an excellent narrative which doesn't get bogged down in either horror or numbers. I'd recommend this book to anyone who wants to know more the events in the Bloodlands from the late 1920's through the early 1950's--it truly is an excellent read.

“Without history, the memories become private, which today means national; and the numbers become public, which is to say an instrument in the international competition for martyrdom.”One such number is 33,761. That is the number of Jews shot at Babi Yar, near Kiev, in the Ukraine. On numerous occasions throughout this monumental and essential history, Timothy Snyder uses very precise figures such as 33,761. Admittedly, it rubbed me the wrong way, since in the world of much uncertainty, as Heisenberg and others have proclaimed, it is impossible to know such a number, with that type of certainty and precision. But on the very last page of his account, the author, a Yale historian, explained fully why it is so important to use the “odd” number. It is the humanity that is revealed in the “1”, which can be multiplied by a million or more. It is the fragments of the stories of individuals who once had a real name, that have been preserved in diaries, or the memories of others, or simply a departing sentence scratched on a wall.Snyder does also use “round” numbers, as in 14,000,000. That is his estimate of the number of CIVILIAN deaths in an area he defines as the “Bloodlands,” between 1933 and 1945. It is an area that stretches from St. Petersburg in the north, encompasses the entire eastern shore of the Baltic to Danzig, all of Poland, and on, down to the entire Crimea, and touching the Don River in the east. One of the many strengths of this book is the numerous excellent maps set within the narrative. His contributions to our understanding of what happened in that space and time are numerous. Central is his examination of the disparate motives behind these numerous deaths, and to present a “balanced” account, in a world of madness. Snyder starts in the Ukraine, with Stalin’s efforts to collectivize agriculture, which lead to the death, by starvation, of millions. Many others were deported to the “Gulag.” Next there was the “Terror,” in the late ‘30’s, in which Stalin purged many in the leadership ranks of the Soviet Union, with a particular focus on the Poles. In fact, the “Polish Military Organization” was simply invented for the purpose of justifying the terror. Though the Soviet Union promoted an image of their tolerance towards minorities, which many in the West, probably at one time including myself, accepted, with the “you can make an omelet without breaking a few eggs” rationalization, Snyder concludes otherwise, to a stark degree. Next there was the brief period that Nazi Germany and the Soviet Union were allies, which, in part, resulted in the partition of Poland between them, and the calculated decimation of the Polish leadership.What more can be said about the Holocaust and the Jews? Actually, quite a lot, I found. Once again, Snyder condemns best in measured, factual analysis. He deals with the “big picture,” and demonstrates how, after the German failure to take Moscow in 1941, that the destruction of European Jewry became a wartime German objective. He names numerous concentration camps I had never heard of, because they were taken by the Red Army. Prior to reading Snyder’s account I was under the impression that the gas chambers had to be constructed because there was some natural “limit” whereby soldiers could not be ordered to shoot and kill unarmed men, woman and children, and be expected to obey. The soldiers themselves would simply rebel and refuse to participate in these heinous crimes. Not so, apparently, as the author documents how so very many were simply shot, including all those at Babi Yar.Amos Oz, the Israeli novelist once proclaimed that “the dead of the Six Day War belong to all of us; the dead of the Lebanese War belong only to their mother’s.” Snyder posits a similar issue concerning a Soviet Ukrainian Jew who had once lived in an area considered to be Poland. She can be claimed by four different national entities; who does she belong to? And to what political purpose today will these entities use her death? And like Bernard Schlick’s principle character in The Reader, who is accused of war crimes, but asks the Judge: “What would you have done?” and receives no reply, Snyder cautions against assuming the identity of the victim, and raises the issue of what people who are just “trying to get by” will do in order to stay alive… including being Jewish policeman in the ghetto.My first efforts to obtain a different vantage point on the Second World War, other than the one I was brought up on, as an American, that is, Pearl Harbor and D-Day, was reading Alexander Werth’s Russia at War: 1941-1945, in the ‘60’s. William Shirer proclaimed it to be “the best book we probably shall ever have in English on Russia at war.” I found it strange therefore that in Snyder’s extensive 37 page bibliography, it is never mentioned. Of course, some of Werth’s information and opinions, as set forth in 1964, are outdated and have been superseded. For example, Werth had left it an open question as to who killed the Polish officers in the Katyn Forest, the Soviets or the Nazis. We now know for certain it was the former, and Snyder details this.I also compared accounts concerning the doomed Warsaw uprising of 1944. I found Snyder’s account less rigorous, with the implicit assumption that the Russians had simply stopped, for no particular reason, and allowed the Poles to be slaughter as a result. Werth seemed to be much more explicit and detailed, clearly condemning “…the awkward questions of the Moscow radio appeals at the end of July to the people of Warsaw to ‘rise’… and the Russian refusal to let supply planes from the West land on Soviet airfields.” Also, it was clearly in Stalin’s interest to allow the Polish elites again to be decimated. Nonetheless, Werth quotes the German general, Heinz Guderian on the inability of the Russians to take Warsaw, cites the failure to cross the Vistula in July, with a loss of 30 Russian tanks, and Werth concludes: “The only conclusion this author, at any rate, has been able to reach is that in August and September, 1944, the available Red Army forces in Poland were genuinely not able to capture Warsaw, which Hitler was determined to hold.” At a minimum, I think Snyder should have at least addressed this issue, and Werth’s knowledge of the matter.Despite the above one flaw, I consider this an essential historical work. 6-stars.

Perhaps it is because I am in my 90th year, but I cannot believe many Americans have any idea how gigantic was the slaughter of innocent men, women, and children (yes, even babies) under the Stalin and Hitler regimes. This book tells all, with gory details galore. I have visited several of the Nazi death camps. Nevertheless I had no idea (until I read this book) how awful was the carnage between 1920 and 1945 in Poland, Ukraine, Belarus, Germany, and other places.

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Saturday, April 30, 2011

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SEAN SCULLY is one of the world's preeminent abstract artists. He is the recipient of the 2016 Harper's Bazaar Art International Artist of the Year Award and has twice been shortlisted for the Turner Prize. His works are included in the permanent collections of nearly every major museum. THE HIRSHHORN MUSEUM AND SCULPTURE GARDEN is the national museum of modern and contemporary art and a leading voice for 21st-century art and culture. With nearly 12,000 paintings, sculptures, photographs, mixed-media installations, works on paper, and new media works, its holdings encompass one of the most important collections of postwar American and European art in the world.

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Product details

Hardcover: 96 pages

Publisher: Smithsonian Books (October 16, 2018)

Language: English

ISBN-10: 1588346412

ISBN-13: 978-1588346414

Product Dimensions:

8.8 x 0.6 x 11.8 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#139,824 in Books (See Top 100 in Books)

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Sunday, March 27, 2011

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Audible Audiobook

Listening Length: 6 hours and 53 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: AudioLearn

Audible.com Release Date: May 31, 2018

Language: English, English

ASIN: B07DFC919Z

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Monday, March 21, 2011

Get Free Ebook The Chicago Manual of Style, 16th Edition

Get Free Ebook The Chicago Manual of Style, 16th Edition

Your impression of this publication The Chicago Manual Of Style, 16th Edition will certainly lead you to get exactly what you exactly need. As one of the inspiring publications, this publication will provide the visibility of this leaded The Chicago Manual Of Style, 16th Edition to gather. Also it is juts soft documents; it can be your cumulative documents in device as well as other tool. The vital is that use this soft file book The Chicago Manual Of Style, 16th Edition to review as well as take the benefits. It is just what we mean as publication The Chicago Manual Of Style, 16th Edition will improve your thoughts and also mind. Then, reviewing book will also boost your life quality better by taking excellent activity in well balanced.

The Chicago Manual of Style, 16th Edition

The Chicago Manual of Style, 16th Edition


The Chicago Manual of Style, 16th Edition


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The Chicago Manual of Style, 16th Edition

Review

"As an equal-opportunity usage geek, I’m excited. . . . The new edition’s press materials come with a 19-point bulleted list of what’s fresh, including an electronic-editing checklist, all sorts of guidelines for e-publishing (XML workflow, anyone?), and — here’s where they had me — a whole new section on parallel structure! (Swoon.) The book contains an 'expanded section on bias-free language,' which in this cultural moment I might have titled the 'wishful thinking' section. And it promises 'firmer rules and clearer recommendations,' which was striking, considering the seemingly inexorable trend away from firmness in matters of grammar and usage, especially online." (New York Times Paper Cuts Blog)“The Sixteenth Edition of the Chicago Manual of Style is here, and it's hard for some of us to contain our excitement. . . . For those of us who spend our days worrying over words, there really is something thrilling—or at least comforting—about the arrival of the newest incarnation of this venerable guide.” (New Yorker Book Bench Blog)“Bound, famously, in orange and thicker with each new edition, the 104-year-old reference classic has kept watch over the publication of hundreds of great books and thousands of not-so-great ones, an arbiter and aide-de-camp for editors trying to decide how to handle items in a list, punctuation within quotes or, these days, the proper hexadecimal code for the German double low-9 quotation mark (201E, as you probably suspected).” (Steve Johnson Chicago Tribune)"For over one hundred years, The Chicago Manual of Style has been setting and defending stylistic standards. In a world where we often communicate with just our thumbs and publish our thoughts from 30,000 feet in the air, we need something to ground us, to solve the little problems, to give us answers we never knew we needed, and to make us beam (or scream) with solutions to the dilemma of the omitted antecedent of a relative pronoun." (Stranger Seattle)“The new go-to publishing manual is here! Responding to the demands made of publishing professionals in the digital age, the 16th edition continues to provide information for word lovers but has enhanced its guidelines to include electronic workflow and processes. . . . This venerable bible also has a new pastel blue bookjacket to alert users to the style, usage, and technology updates within, though the familiar orange cloth lies below. A worthy, welcome addition to every library collection as well as professional wordsmiths and educated readers of all persuasions.” (Library Journal)"The 16th edition has been restructured for digital publishing, making it more relevant, and has stopped waffling on many rules, making it easier to use. If you already use CMS, I’d strongly urge you to update to the 16th edition. It’s not a small update, and it just may resolve many of the issues you’ve been dealing with." (Erin Brenner The Writing Resource)“CMS is marked by unfaltering good sense; and a good index and numbered paragraphs make it easily navigable. . . . Such is the book’s scope that it addresses itself to everything from the most straightforward conventions of layout . . . to submission requirements for authors and broader concerns such as editorial judgment.” (Catharine Morris Times Literary Supplement)“Chicago’s granite-solid strength abides in the familiar guidance generations of editors and scholars have depended upon—how to treat punctuation, names, numbers, tables, quotations, dialogue, abbreviations, etc. Users will welcome the streamlined approach to documentation, introducing greater consistency between the author-date and the notes-bibliography citation systems. This is the first edition of The Chicago Manual of Style to be published simultaneously in print and online. Either way, no library serving serious authors can be without it.” (Booklist)“[The sixteenth edition] is nothing if not acutely digitally aware. . . . Efficient, intuitive navigation and searching are the hallmark of CMS 16 online.” (Charles M. Levin Copyediting)“This iteration has a jacket the calming shade of a robin's egg or one of those old Mac screens, and you can imagine a weary copy editor cooling her tired brow against it. It has about a hundred more pages than the fourteenth and a crisper font.” (Ed Park Bookforum)

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Product details

Series: Chicago Manual of Style

Hardcover: 1026 pages

Publisher: University of Chicago Press; Sixteenth edition (August 1, 2010)

Language: English

ISBN-10: 9780226104201

ISBN-13: 978-0226104201

ASIN: 0226104206

Product Dimensions:

6 x 2.3 x 9 inches

Shipping Weight: 3 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

556 customer reviews

Amazon Best Sellers Rank:

#39,318 in Books (See Top 100 in Books)

The most comprehensive style guide I have ever seen, or could even imagine. It is almost overkill. It will make you doubt your writing ability. I can't think of anything it doesn't cover. Makes the MLA Handbook seem like one of the Little Golden Books. When I got over being astonished and intimidated, I found myself reading whole sections because it is so interesting.

How do you review The Chicago Manual Of Style. It's a tool for the writing/editing craft and it's the most comprehensive one available.You can't consider yourself a pro without knowing much of its contents either by poring over the volume or having the lessons drummed into your head by a senior editor who absorbed the contents by reading it or having it or repackaged versions (newspaper/magazine style guides) slammed on his/her head for straying from the standard.Back in the gruesome days of linotype, the squiggles, pointers, loops and slashes provided shorthand instruction to typesetters and galley men who set lead columns on pages.None of that is needed now but communication among editors, proofreaders and the writer remains all important and so are the standards that help eliminate readers' confusion.In an era when self-published writers go to print without a traditional editor and a few small publishing houses are not staffed by fully seasoned editors, The Chicago Manual Of Style is irreplaceable as a reference tool.

The CMOS is worth every dollar! Its many pages help the writer to get the most sensible and most common information about presenting one's prose on the page. I've also subscribed to the online version of CMOS. In some ways it is easier to find what you're looking for. Enter the topic in the search box, and usually in short order one can retrieve the information one is searching for. Many concrete examples help the writer to make a decision.

With the explosion of online publishing there's been an explosion of quite another kind. Poor editing or none whatsoever. As a reviewer I often have cringed while reading some of the indie books that I've crossed paths with. Mind you, I didn't major in English, but I no when their is a problem. Many authors have know idea what is wrong. Seriously, I've seen this sort of thing constantly and as a result, I simply have started turning down requests. I do have the Publication Manual of the American Psychological Association and have relied on that for many years, simply as a matter of habit because I started out with it in grad school and need it for nonfiction writing and reference.The impetus toward purchasing "The Chicago Manual of Style" came when a friend asked me to proofread her latest manuscript. I'm not an editor, but decided I'd take the time and work through it. Mind you, she had already paid someone to edit the manuscript. Needless to say, my friend was some livid ... at the editor. I've proofread Braille for many, many years and know a mess when I see it. My friend claimed that her editor knew "The Chicago Manual of Style" from cover to cover. Not very likely. I decided to purchase this reference to point out exactly where her editor had gone wrong.This is an astounding reference that I found not only speaks to standard print media, but also to production and digital technology. With so many people moving to this format, it's critical that standards are set and followed. The demise of the book as we've come to know it isn't imminent, but why settle for mediocrity in the digital publishing world? I'm not an editor, not will I ever be one. If I need one, I'll know who not to hire from experience. Everyone who works in the world of words, or simply is wowed by them, should invest in this essential reference. If you have a choice of a single reference, this should be one you invest in.

Purchased for my masters level courses. For my Bachelors degree I remember everything being in MLA and the occasional APA format. I had no idea how to work out the Chicago, and the web sites I had found apparently didn't cover everything because I kept having to go back to my professor for help with my citations. I bought this book and while I expected the size, I did not expect the thin pages. I got more than I probably needed in this book, but I've only made trips to my professor to verify my citations are correct and so far so good.

Had sold my copy of Chicago Manual of Style years ago and am happy with the latest. This is a must for anyone who wants to have answers to all grammatical rules, in any easy to find manner. Well worth the price and it actually is upgraded, and comes with 1026 pages.

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Tuesday, March 15, 2011

Ebook Download Writing as Punishment in Schools, Courts, and Everyday Life (Albma Rhetoric Cult & Soc Crit)

Ebook Download Writing as Punishment in Schools, Courts, and Everyday Life (Albma Rhetoric Cult & Soc Crit)

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Writing as Punishment in Schools, Courts, and Everyday Life (Albma Rhetoric Cult & Soc Crit)

Writing as Punishment in Schools, Courts, and Everyday Life (Albma Rhetoric Cult & Soc Crit)


Writing as Punishment in Schools, Courts, and Everyday Life (Albma Rhetoric Cult & Soc Crit)


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Writing as Punishment in Schools, Courts, and Everyday Life (Albma Rhetoric Cult & Soc Crit)

Review

“Asking, at core, if our writing inside and outside the classroom must advance erudition, Writing as Punishment chronicles how that script has been perverted to argue that ‘writing is a viable tool for disciplining, controlling, brainwashing, shaming, demeaning, subjugating, and humiliating others.’ This book more than proves its points. The writing is fantastically crisp; the thesis sound (and soundly provocative). However queasy-making, Schaffner’s individual case studies are each perfectly selected. His conclusions are, to say the least, wickedly inspired.” —Scott Herring, author of The Hoarders: Material Deviance in Modern American Culture“This book’s focus on the ‘darker’ side of writing is as intriguing as it is illuminating. Accessibly written and powerfully argued, Schaffner’s book finds that the beliefs that underlie generative approaches to writing are the very ones that underlie its use of writing as punishment.” —Debra Hawhee, author of Rhetoric in Tooth and Claw: Animals, Language, Sensation

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About the Author

Spencer Schaffner is associate professor of English at the University of Illinois at Urbana-Champaign and is author of Binocular Vision: The Politics of Representation in Birdwatching Field Guides. His work has appeared in Kairos: A Journal of Rhetoric, Technology, and Pedagogy; Composition Studies; and Discourse and Society.

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Product details

Series: Albma Rhetoric Cult & Soc Crit

Paperback: 136 pages

Publisher: University Alabama Press; First edition (June 11, 2019)

Language: English

ISBN-10: 0817359559

ISBN-13: 978-0817359553

Product Dimensions:

6 x 60 x 9 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#5,195,902 in Books (See Top 100 in Books)

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